Introduction
Feminist discourse attempts to determine a means for women to achieve freedom through the elimination of oppression. However, the multitude of definitions for "woman", "freedom" and "oppression", the ultimate goal of freedom for women have produced several streams of feminist thought. For the purposes of this discussion, I will focus on the cooperation or opposition within social values/norms as well as the connection/disjunction between the mind and the body as gateways to freedom. My Body is My Art: Cosmetic Surgery as a Feminist Utopia, Kathy Davis discusses the validity of cosmetic surgery as a means of achieving self-determination. In order to address the issue, Davis compares women attempting to cosmetically alter their bodies in order to become more beautiful with the work of Susan Orlan, a body performance artist who uses cosmetic surgery in order to mock social standards of beauty. While Davis focuses on the conception of beauty in relation to cosmetic surgery, her discussion points to the larger issue of freedom. Women attempting to cosmetically alter their bodies to make their "outsides match their insides" are trying to achieve self-determination by emphasizing the connection between mind and body, whereas Orlan is trying to achieve self-determination by utilizing cosmetic surgery to widen the gap between mind and body. I argue that Davis' My Body is My Art: Cosmetic Surgery as a Feminist Utopia represents two esoteric views which attempt to achieve freedom through either cooperation with social norms or complete rejection of said social norms.
Mind-Body as a Gateway to Freedom
The relationship between the mind and body is a critical aspect of the feminist goal of self-determination. This relationship can be expressed in either positive or negative terms. For example, Davis studies women of various socio-economic backgrounds who either underwent or plan to undergo cosmetic surgery in order to improve themselves. For the women discussed, cosmetic surgery presents a solution to a "history of suffering because of their appearance". For these women, such as the "successful, middle-aged business woman seeking a face lift in order to 'fit into the corporate culture,'" cosmetic surgery serves as a gateway to freedom from the social restrictions imposed on the biologically determined body. Davis makes it clear that the general attitude around the decision to undergo cosmetic surgery was not "...because their bodies were not beautiful, but because they were not ordinary—'just like everyone else'". The problem is presented as a battle between interior (the mind) and the exterior (the body) where the success of the former depends on the latter. According to Davis, the women discussed chose cosmetic surgery because of their keen awareness of their "active and lived relationship with their bodies". This emphasis on the relationship with their bodies is indicative of a strong desire to resolve the disjunction between the body and the mind. For these women, the self is defined by the body's appearance. Since the success or ease of their minds depends on the physical normality of their body, it becomes clear that for many women the body is a critical component to the self. Therefore, cosmetic surgery allows women to take control of the societal roles and successes that comprise their identities by altering their bodies. For those who view control of the bodily image (the self and how it is perceived by society) as a crucial aspect of freedom, this taking control is freeing. Cosmetic surgery symbolizes overcoming pre-determined biology. Thus, there is a strong sense of gaining the power of self-determination through technology.
Of course, the relationship between the mind and the body emerges in differing ways as Andrea Dworkin shows in Intercourse. Dworkin emphasizes the psychological value of bodily perception by examining the act of intercourse and the symbolism within the act. Dworkin says "a human being has a body that is inviolate; and when it is violated, it is abused". Intercourse violates the body, which changes a woman's selfhood "in a way that is irrevocable, unrecoverable". This violation is psychological and violates the natural state of the female body—the intact hymen. Dworkin stresses the body as the self—but that self is valued negatively—by the vagina or a "hole". Since the vagina is a "hole" there is a need to "occupy" that "hole"—which is the role that men play during intercourse. This "occupation" is a type of dominance that is entirely destructive to the female selfhood, according to Dworkin. Dominance is a form of power for Dworkin. Allowing another to have that power over the female body/self thus represents a loss of self-determination or freedom. Dworkin's solution to the loss of self-determination is to reject the social standards of intercourse in favor of a type of intercourse that does not dominate the female body. For Dworkin, replacing male-dominated intercourse with passive intercourse allows women the ability to regain control of the self. By reasserting the rights of the female body to remain inviolate, it becomes possible again for women to reclaim a sense of self-determination. Thus, for women such as Dworkin the mind is innately connected to the experience of the body. Based on Dworkin's argument, the mind cannot be free until the body is permitted to be free or autonomous during intercourse.
Conversely, some thinkers argue that the mind is far more important than the body and push for greater disjunction between the two in order to achieve freedom. Proponents of this camp include Susan Orlan, as discussed in Davis' My Body is My Art as well as Henry David Thoreau in his essay "Resistance to Civil Government".
Orlan is a performance artist who alters her body through cosmetic surgery to parody social standards of beauty. The performance aspect of Orlan's art includes choosing symbols of beauty norms such as the forehead of Da Vinci's Mona Lisa, the chin of Boticelli's Venus, and undergoing cosmetic surgery which adopts these features while recording the process. The recorded process is shown to audiences in an effort to shock people into asking questions about social standards of beauty. Orlan has undergone multiple surgeries for the purpose of her art—it is both painful and dangerous. During one of Orlan's lectures of a performance, one audience member stood up and stated: "You act as though it were not you, up there on the screen". The audience member had it right in a manner of speaking—Orlan does not view herself as the summation of her bodily parts. This plays a large part in how Orlan is capable of undergoing frequent painful and dangerous cosmetic surgeries for the purpose of promulgating a radical insight on social standards of beauty. According to Orlan, the self can no longer be defined by the body and will not be defined by the body because of modern technologies (cosmetic surgery). As quoted by Davis, Orlan believes that bodies "…will become increasingly insignificant—nothing more than a 'costume', a 'vehicle', something to be changed in our search 'to become who we are'." By drastically altering her body, Orlan seems to be donating her body to society to help society prepare for the inevitable insignificance of the body. In doing so, Orlan maintains her strict sense of identity as a messenger by separating her self—the mind from the body. Orlan's view contrasts that of Davis and Dworkin in that Orlan is a proponent of denying the body to transcend the mind. This transcendence of the body allows Orlan the freedom of self-determination since the body is the site of oppression via constraining social norms.
Thoreau also asserts that the mind is the true vehicle for freedom through self-actualization in his essay "Resistance to Civil Government". Thoreau criticizes the government as being overreaching and criticizes those who allow the government to rule them rather than controlling their own government. This is not entirely dissimilar from Dworkin's protest against the occupation of the person. Thoreau questions why people refuse to pay attention to their conscience (mind) rather than serving the state "not mainly as men, but as machines, with their bodies". Thoreau's protest is not related to feminism per se, but it is about freedom in general. It becomes clear that Thoreau considers the physical body as a part of the state when he says "under a government which prisons unjustly, the true place for a just man is also a prison". Justice is freedom to Thoreau. In Thoreau's mind, the government owns the bodies of the governed but not the minds, which is why Thoreau feels free to protest. By protesting, Thoreau shows a disregard for the body in favor of the mind/conscience as the true representation of the self. For Thoreau, the mind is the self, and the self must be defended above the body in order for the body (or other bodies) to survive.
Bodies and Minds in Society—Conclusion
Based on the observations of Davis, Orlan, Dworkin, and Thoreau it becomes clear that not only is there a competing relationship between the body and the mind, but also between the body, mind, and society. Each thinker discussed attempts to reconcile the body and/or the mind with its interactions within society. The women Davis observes choose to undergo cosmetic surgery to achieve freedom by conforming to societal norms. One example Davis gives is a "successful, middle-aged business woman seeking a face life in order to 'fit into the corporate culture'." Others are changing their bodies not because of quantitative beauty, but because it is abnormal in reference to society's standards of beauty. Economist Daniel Hamermesh from the University of Texas found that people considered unattractive earned up to 10 percent less than their averagely attractive counterparts. Reality television is littered with make-over shows such as "What Not to Wear" and "The Biggest Loser," that are supposed to help people get the guy/girl or get the promotion/job desired. Through this view, it is easy to understand how cosmetic surgery is an effective tool for achieving a certain level of freedom to function or excel within the "real world" as is dictated by social norms. Cosmetic surgery presents itself as a worm that can wiggle around genetic predisposition and beat the system while working within it.
However, Orlan, Dworkin, and Thoreau all seem to agree that society is comprised of individuals that have the power to control society, yet the collective agrees to allow society control individuality, or the self. By extension, society's control over individuality impairs the ability to feel free. Orlan protests by casting off her own body and using it to mock the norms of beauty which gives rise to her assertion of freedom through individuality. Dworkin refuses to cast off the body and instead asserts that it is society that must accommodate the sovereignty of the female body. Accommodation gives rise to the freedom necessary for self-actualization. Thoreau voices a similar demand for accommodation by calling for individuals to reclaim power over the government (society) by asserting their conscience (individuality of the mind).
Each of these thinkers contains more than a grain of truth in their respective discourses. The complexities surrounding the individual in relation to the collective only become steadily magnified as a new voice or insight is added. Based on the discussions here it is clear that oppression is pervasive and all of humanity is complicit in that oppression through participation in the norms surrounding the body such as allowing and playing into the eroticization of the body via fashion magazines, cosmetic surgery, cosmetic beauty products, and make-over shows. If all of humanity is complicit in its own oppression, it appears that freedom is an unsustainable idea. In order for the collective to survive, individuals must sacrifice some liberties and cooperate with the norms that comprise the social contract. Still, Orlan, Dworkin, and Thoreau are correct in asserting that the individuals decide where cooperation and conformity is necessary. This premise suggests that the collective has yet to reach the equilibrium necessary in order for each individual to possess the optimum amount of freedom with the least possible interference with the freedom of others. It must be stressed that the seemingly oppositional ideas concerning the mind/body v. society conflict do not necessarily cancel each other out through negative values. Instead, oppositional philosophies unveil the contradictions that are in need of resolutions. By exposing the contradictions, contrary philosophical ideas provide the building blocks for current thinkers to arrange or build upon.
Works Cited
Bruck, Jan. "Research Confirms the Role of Beauty in Career Success." DW-World.DE Deutsche Welle . 4 16, 2010. http://www.dw-world.de/dw/article/0,,5469059,00.html (accessed 22 2010, 4).
Davis, Kathy. "My Body is My Art: Cosmetic Surgery as a Feminist Utopia ." In Feministy Theory and the Body: A Reader , by Janet Price and Margaret Shidrick, 454-465. Routledge -Taylor & Francis Group LLC-Books, 1999.
Dworkin, Andrea. "Occupation/Collaboration." In Intercourse, by Andrea Dworkin. New York : Basic Books, 1987.
Thoreau, Henry David. "Resistance to Civil Government." American Transcendatialism Web. 1999. http://www.vcu.edu/engweb/transcendentalism/authors/thoreau/civil/ (accessed March 2010).